Features:
Neve classic sound using Class A topology
Console sizes: 10,16,24, 32 or 48 channels
1073N microphone preamp and EQ module in each channel
Classic voltage mixing using 1272 balanced mixing topology
2x 500-series slots fitted with Neve 2264ALB compressors, patchable or selectable across the Mix Bus
Direct outputs on every channel selectable pre or post channel insert
Simple Input to each channel doubles the mix inputs when mixing and also allows monitor and cue mixes
4x Auxes, 1x Stereo Cue, 1x Stereo Main Mix Bus
Stereo and 5.1 monitor with passive 24 position gold plated monitor level control
3x Stereo & 1x 5.1 selectable loudspeaker output sets
Comprehensive Solo system with destructive and safe/isolate modes
2x Stereo reverb returns with width, mono and balance controls & 2x mono DI to bus inputs
Main Mix output insertion selectable pre or post fade with IMR (Insert Mix Return) parallel processing controls
25-way D-sub connectivity for easy installation into home or studio environments
Optional side car stand on castors
Features:
12 Mono- und 4 Dual-Mono/ Stereo Kanäle. Mikrofonvorstufen in Spectra-Qualität
Phasentreues Schaltungsdesign unter Nutzung von Mother-Daughterboards, abgeleitet aus der Spectra Serie, 19 Zoll/10 HE
Pro Kanal schaltbar: 48-V-Phantomspeisung, Mic/Line, Pad und Phasendrehung
Durchstimmbares High-Pass-Filter (20…400 Hz) mit 12 dB/Okt. Flankensteilheit
Alle Mono-Eingangskanäle verfügen über zwei durchstimmbare Bell (MF)- sowie zwei feststehende Shelfing (HF+LF) Filterbänder
Stereo-Eingangskanäle sind mit feststehenden HF und LF sowie einem durchstimmbaren MF ausgestattet. Der EQ Einschalter ist innenbleuchtet
6 Aux Sends; paarweise schaltbar pre/post Fader, kanalweise schaltbar pre/post EQ
Aux Sends 5 und 6 können zum Stereopaar verschaltet werden
Schaltbares Routing der Eingangskanäle auf die Busse L, C, R und/ oder die Subgruppen 1-4
Alle entsprechenden Ausgänge (einschließlich Aux) sind als symmetrische XLR-Stecker ausgeführt und verfügen zusätzlich über TRS-Eingänge und Inserts.
Die Ausgänge L, C, R und Mono Mix sind wahlweise schaltbar von Line- auf Mikrofonpegel
Innenbeleuchtete PFL/AFL und Mute-Schalter, eine 6-Segment-Pegelanzeige und 100-mm-Fader sorgen für übersichtliches und flüssiges Arbeiten
4 LED Pegelmesser für die Busse L, C, R und Mono oder die Gruppen 1-4; bei Solo zeigen die Meter automatisch den Pegel des entsprechenden Kanals
Für zusätzliche Überwachung der Pegel steht pro Mix-Bus eine zweifarbige LED zur Verfügung (L, C, R, Mono, Gruppe 1-4 und Aux 1-6)
Netzteil 100…240 V~, 50/60 Hz, steckbar, ohne Demontage des Mischers
Dimmer für die optionale Schwanenhalslampe (4-pol.-XLR)
Drehbares, arretierbares Anschlussfeld
API 1608 II
Following the introduction of the 1608 in 2008, API delivered over 600 consoles and expanders to discerning audio professionals throughout the world. New for 2018 and based on the incredible success of the original, API proudly announces the 1608-II. Equipped with an updated feature set and debuting API's new cross-platform Final Touch Automation® system, the 1608-II continues API's rich legacy of crafting the world's highest-quality analog recording consoles. Adding valuable features for today's Engineers, Producers and Musicians, the 1608-II provides the powerful reliability and the incredible API sound that has characterized API products for nearly 50 years.
1608-II Features:
16, 32, or 48 Input Channel Frame sizes
Each channel equipped with Mic Pre and Equalizer
Accepts API 500 Series Equalizers
8 Multitrack Buses
8 Auxiliary Buses
1 Stereo Bus
4 Stereo Returns, 100mm faders (manual or automated) with Multitrack and Stereo Bus assign
Full Center Section Control
Surround 5.1 Center Section Monitoring
Classic Analog Metering
Global 0dB Fader Bypass
Comprehensive Rear Panel IO Connectivity
Standard fit:
16x 548B Inputs with Mic/Line and Direct Output
12x 550A Equalizers
4x 560 Equalizers
8x Echo Returns
1x Complete Center Facilities Section
16x Manual Faders
1x Stereo Fader
ASP4816
Powerful, flexible and intuitive, the ASP4816 delivers superb audio performance in a compact frame size.
ASP4816 provides the key features of a large format recording console in a compact, cost effective form. Designed by audio guru, David Dearden and featuring Audient’s legendary analog circuitry, ASP4816 is the perfect centre piece for production studios and educational facilities.
The main input channels feature Audient’s renowned Class A preamp and 4 band EQ – a combination found in hundreds of ASP8024 equipped studios where many users no longer feel the need to reach for their outboard preamps and EQ. The console features 40 faders,16 bus routing, 6 auxes, 2 dedicated cue sends, 4 stereo returns, stereo bus compressor and a comprehensive monitor section.
→ In-line architecture - twin inputs on each channel
→ 40 faders
→ 48 inputs at mix
→ 16 Audient Class-A mic pres
→ 16 channels of EQ
→ 16 record buses
→ 6 auxes, 2 cue sends
→ Stereo bus compressor
→ Comprehensive monitor section
INTRODUCTION
With the AIRENCE-USB ON-AIR mixer you can own a modern, split version type of radio production mixer. A smart mixer with an integrated USB based control section. Built with well proven low noise circuitry, this console is the reliable workhorse for the self-op production D.J. Built in Telephone Hybrids (2x), 4 channels USB and 4 Mic inputs. Ideal for streaming to the web and sending and accepting 4 stereo channels from your Play-out software.
A heavy duty (19" rack) RF shielded chassis, that can be used as a drop through in your furniture, houses all the vertically mounted input modules. Extension units with six triple input channels with high end quality Mic inputs on XLR and two stereo line level inputs on Cinch (RCA) connectors can be connected to the main unit. The result is a modern split drop through 12 (or 18/24) fader radio console.
MIC, LINE, USB AND TELEPHONE IN-OUTPUTS
This brand new AIRENCE-USB model has 4 balanced mic inputs (+48 phantom is standard) with inserts for signal processors, 6 stereo line inputs, 4x USB channels and 2x Telephone Hybrids. If you would like to call with VOIP we would advice to use the CISCO SPA112 as an interface between our 2 Telephone modules and the Internet. One physical USB connection interfaces 4 stereo audio channels from and to your PC plus all (programmable) remote controls on the right hand section of the mixer. Channel 5 and 6 have, apart from the stereo line input, also RJ-11 connectors to interface with an analogue telephone line and a common dial unit.
High quality built in Hybrids with R and C balance and direct Talk back to the Hybrid channels makes conversation with callers very easy. Also by simply pushing the Cue button, conversation between DJ and caller outside the broadcast is of course possible.
The illuminated front panel ON switch is electronically attached to the built in mechanical fader start enabling selection of a play-out start either by fader or via the ON switch. Fader start generates in the Mic mode a Mic-on signaling to switch ON-Air lights. There is a 3 band Equalizer on channel 1-4 and on all 6 Triple input channels of the Extender Unit. The stereo Aux send can be set pre or post fader. All high quality low noise mic inputs have low cut jumpers.
EXTENSIVE MASTER SECTION DESIGNED WITH RADIO IN MIND
The AIRENCE-USB has all the master controls such as 100 mm stereo master faders, stereo Aux send and return, monitor master with "follow phones" and a phones output with a split listen function.
With the AIRLITE mixer you can now own a modern radio mixer for a very attractive price. This new hand built piece of precision equipment is the result of more than 42 years of experience at D&R.
It is an intelligent mixer with an internal USB control section that speeds up daily use and includes a built in Silence Detector.
It is a reliable workhorse for the self-op production D.J. with built in Telephone VOIP functionality.
4 in/out channels of stereo USB and 3 very low noise Mic inputs. The AIRLITE, ideal for ON-AIR, Production and perfect for streaming to the web.
The AIRLITE accepts and instantly controls a maximum of 4 in/out stereo channels from your Play-out software.
It is built into a metal, heavy duty RF shielded, powder coated chassis, designed with elegantly rounded corners. Easily “drops” into your furniture to give that exciting and contemporary radio look. A strong powder coated front panel with reliable controls gives you access to a flawless performance.
For more information visit: http://www.d-r.nl/airlite-usb.html
Mix Back Mixer
The Mix Back is a flexible and affordable 16 x 12 x 2 x 2 monitor mixer that features two stereo outputs and twelve mono outputs. There are sixteen high quality Mic/Line inputs with passive split. It also features two HearBus outputs and two ADAT optical outputs. A perfect companion to our Hear Back personal monitor system. A talkback mic preamp permits talking to any mono output, master outputs and the intercom output.
Included is a UV LED gooseneck lamp that makes the knob pointers and silkscreen on the front of Mix Back glow-in-the-dark!
Input Channel Features:
16 quality Mic/Line inputs with passive XLR split
Pin 1 lift and Mic phantom power switches
Channel inserts
Signal/Clip LED indicator
100 Hz high-pass filter
Gain control
4 band EQ with separate controls for sweep and cut/boost on mid bands
Two stereo level and pan controls (ST1 and ST2)
Twelve mono level controls (1-12)
Switch selectable effects 1-2 sends
Master Features:
2 stereo and 12 mono TRS outputs
Switch selectable meter/headphone monitoring
2 stereo TRS balanced effect returns
Switch assignable FX1/FX2 returns to the 12 mono masters
Stereo Aux return with level controls to both stereo busses – great for FOH mix or the studio “two mix”
Buss inputs permit stacking of multiple mixers
Talk back mic preamp assignable to stereo masters 1 and 2, mono outputs 1-12, and the balanced Intercom/slate output
Relay contact when the talk back intercom switch is pressed
16 button talkback remote connects using standard CAT5e cable
16 channels of ADAT and HearBus output
Other Features:
Universal internationally approved internal power supply
11 RU chassis
All analog inputs and outputs are balanced
Four selectable inputs with trim adjusts
Straight wire distortion-free signal path
Will not introduce color or artifact
Increases artist's confidence when recording
The Gold Digger is a 4-channel mic selector that enables the engineer to quickly compare the sound of four different microphones while sharing the same preamp. A 'straight wire' passive circuit design is void of any audio buffers or transformers. Instead, the Gold Digger employs military grade gold contact relays to manage the switching process, thus ensuring the pristine mic signal is maintained without introducing color, distortion or artefact of any kind.
Features include four rear-mounted XLR-F mic inputs plus an XLR-m output to feed the preamp. To eliminate bleed between microphones, each channel is equipped with a 'radio style' selector switch that ensures only one mic is on at a time. The external supply provides power for the LED indicators, charges the relays and enables the Gold Digger to generate 48 volt phantom which can be turned on or off for each mic as needed. To ensure an 'honest' comparison between microphones, individual 'set & forget' trim controls let you adjust each mic level so that they produce the same relative output. Once set up, the Gold Digger not only improves workflow, but also gives the artist more confidence with the sound of the vocal, resulting in a better overall performance.
The Gold Digger – A tool designed to get the very best out of each and every performance.
From the father of the recording console comes the 5060 Centerpiece: the Class-A analog heart of your 21st-century studio. Sized for your desktop, the 5060 delivers the tonality and center section features of Rupert’s flagship 5088 console at your fingertips, cementing outboard together with serious custom transformers, flexible monitoring, DAW transport controls, and the raw power of a Rupert Neve-designed 24×2 mix-buss.
Define Your Workflow
With a modular, hybrid analogue/digital mix system built around the 5060, you can outfit your studio with exactly what you need – and nothing that you don’t. Utilizing modern DAW control technologies, the 5060 seamlessly integrates stem outputs from the DAW with the rest of your control room, sums the final mix, and provides 2-track outputs, source selection, and speaker feed outputs from the monitor section.
Used in conjunction with 5059 mixers and Portico modules, the 5060 forms the core of a scalable analogue system. In this arrangement, the 5059s provide individual channel control, aux routing, and expandable channel counts, the Portico modules provide preamplification, EQ and dynamics, and the 5060 unites it all. The 5060 brings your dreams of a seamless hybrid workflow to reality.
Define Your Tone
With custom transformers, a class-A mix buss and variable Silk, the 5060 can provide a wide range of tonal flavors. Drive the mix buss hard and crank the Texture knob for a rich, saturated, vintage vibe – or disengage Silk entirely for clear, wide-open sonic beauty.
Silk reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Silk red mode accentuates the saturation in the high-mids and highs, while silk blue mode features more saturation in the lows and low mids.
With Silk engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert’s class-A vintage designs. These controls add an unparalleled range of tonal options to the 5060 and should be explored creatively with a variety of different sources for best effect.
Additionally, by using 5059 Satellite Mixers to feed the 5060, you can further control the tone by using different Silk & Texture settings on the dual stereo outputs,and by creating parallel processing on the stems using the insert sends into processors, and then into stereo inputs 9-24.
The New Analogue Standard
While digital technologies come and go, the modular, class-A analog designs Rupert created decades ago have been proven to stand the test of time. Instead of merely cloning these “classics”, Rupert has spent recent years leading a team of engineers in crafting new designs, built on the same key principals, that take sonic performance, flexibility and ergonomics to new heights. These designs embody the high voltage, class-A, discrete and transformer coupled architectures found in the 5088 console, which represent a culmination of Rupert’s vast analogue circuitry knowledge.
With the 5060 Centerpiece, the primary aim is to deliver the extraordinary quality of the 5088 in a compact, modular framework. With an abundance of interconnectivity, exceptional fidelity, and the tonal versatility of Silk, the 5060 is the ideal core of the sound-conscious modern studio.
The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required.
With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout.
Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities.
Model VF10 Connector Panel
All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF10 shown at the very top.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF10 line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard.
The via Fader has high headroom that will handle balanced signals up to +28dBu.As an added convenience, on the Model VF10 line inputs and outputs 9 and 10 may be accessed with the balanced TRS jacks instead of the DB25 connectors.
Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.
The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required.
With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout.
Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities.
Model VF10M Connector Panel All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF10M shown second from the top.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF10M line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard.
The master connectors are also fully balanced and available on TRS jacks.The via Fader has high headroom that will handle balanced signals up to +28dBu.
Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.
The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required.
With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout.
Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities.
Model VF16 Connector Panel
All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF16 shown third from the top.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF16 line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard.
The via Fader has high headroom that will handle balanced signals up to +28dBu.Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.
The via Fader is a brand new way to connect your 500 series racks and audio gear. This product is more than just 10 or 16 slide faders. Each fader channel has the necessary input and output electronics to allow the via Fader to interface to any balanced, unbalanced, transformer, or transformer-less line level signal. But most importantly... no additional mixer or audio interface is required.
With its clean, uncluttered layout, the via Fader can be placed in a convenient desktop location or installed in your 19" rack. This gives you more choices when it comes to the studio layout.
Not exclusively for 500 rack systems, the via Fader can be used for external DAW summing or as a line mixer for synths and samplers. In many cases, the via Fader can eliminate the need for a mixing console in your studio. The four via Fader models give you lots of possibilities.
Model VF16M Connector Panel
All audio connections are located on the bottom/rear of the via Fader chassis. For economy, the rear panel connector legend shows all four models with the connector legend for the Model VF16M shown at the very bottom.Connect the via Fader to virtually any line level source: balanced, unbalanced, transformer, or transformer-less. The VF16M line inputs and outputs are fully balanced and terminate on DB25 connectors that comply with the Tascam wiring standard.
The master connectors are also fully balanced and available on TRS jacks.The via Fader has high headroom that will handle balanced signals up to +28dBu.
Included on the bottom panel (not shown on this image) are jumpers that allow you to add 10dB of additional gain to each fader channel.
What is the XTRAMIX X6 Mixer?
The X6 is a rack mounted analog line mixer that offers features and flexibility for use in the most serious recording applications. It has been designed as a "quiet-transparent" platform that allows you to build a mixing system using the gear you already own. The X6 can be used to connect all your analog outboard gear regardless of the pedigree, interface to AD/DA converters, and, of course, virtually any synth or sampler. It is a fact that not all studios need a console style mixer with slide faders, so the X6 can often replace a studio desk style console and may be a good fit especially if space is at a premium.
Features
· 4 rack space design
· 20 stereo line inputs + stereo mix + 8 group busses.
· Each input channel has pannable stereo direct out.
· 4 aux send busses.
· 0db/12db Gain select on each input channel.
· Presence of signal LED on inputs.
· In-place solo on all channels.
· True stereo aux sends.
· 4 stereo aux returns.
· Balanced inserts with bypass switch on stereo mix and 8 groups.
· Two monitor outputs and independent headphone output.
· Expander connectors to add another X6, X.Sum, or other line mixer.
· Multi-purpose mounting brackets: 19" rack mount or configured for desktop location.
The In's & Out's
Connect the X6 to any line level source: balanced, unbalanced, transformer, or transformer-less. The X6 has high headroom that will handle balanced signals up to +28dBu. All audio inputs and outputs are fully balanced and available on TRS connectors.
The Designer
The X6 is the work of Vince Poulos, the designer and owner of Speck Electronics. Speck Electronics has been producing quality professional audio products for over 45 years. Founded in 1973, Speck Electronics has consistently provided innovations in audio products for all segments of professional recording and touring. Other products include the X.Sum rack mixer, the via Fader outboard fader system, the EQF 810 equalizer, and MicPre 5.0 preamp.
The Roots Gen I 16 Channel
Full Featured 8 and 16 channel / 2 Buss Tube Hybrid Console
Features:
All Tube: Mic pre / line input / direct input (instrument in) / EQ and limiter on each channel
4 – 500 series slots
Vacuum tube linear regulated power supply
Meter Bridge:
Buss master trim 1 & 2 / aux master 1 & 2 / talkback mic in XL / talkback level
Stereo select external aux in 1 & 2 / mono combine / source select
Speaker select / big knob monitor level
Buss Master Module:
Big knob master stereo buss level / headphone level with headphone jack
Talkback (to stereo buss or aux master select)
The Roots Gen I 8 Channel Console
All channels are pure tube and transformers
Discrete Class A Solid State buss and master section
Fully regulated Vacuum tube and linear power supplies
Shipping dimensions for a Roots Gen I 8 channel console:
1 Pallet: 48" x 40" x 25"
Total weight: Approx. 200 lbs
The Tree Audio The Roots 16 Gen II is a 16-channel version of the Roots.
The Tree Audio Roots Gen II is an eight-channel valve and hybrid recording console based around an all valve channel strip design, balanced inserts 4 aux sends and 4 500 series slots.
The Tree Audio Roots 16 Gen II has all tube EQ and limiter, mic pre with line in, filter and metering. The EQ section uses a baxandall type curve with controls over low and high bands fro quick shaping of the sound, while the limiter uses an optical design with a simple knob to control the amount. A three-way toggle switch is used to engage the limiter as well as activating the side-chain 6dB/oct 250Hz high-pass filter.
The Mic preamp provides up to 60dB of gain and is complemented with a direct output trim. A selectable high-pass offers a choice of three frequencies, 80Hz, 125Hz and 250Hz while an input transformer impedance select lets you find the best impedance to match your microphone or even provide different tonalities.
At the top can be found four aux sends with the option to set each pair as Pre or Post (or Off) These can be made to send to the 500 Series section where a 500 series mixbus compressor or other modules can be added.
The Roots II also uses a fully regulated tube linear power supply.
Tree Audio Roots 16 Gen II Main Features:
16-channel, tube/hybrid, full-featured, recording console
All tube and transformer mic pre / line input / DI / EQ and limiter
4 – aux sends / 4 – 500 series slots / Full featured master section
Balanced inserts on all channels and stereo buss
Fully regulated tube linear power supply
Hand-built in the USA.
The Tree Audio Roots Gen II is an eight-channel valve and hybrid recording console based on an all valve channel strip design, balanced inserts 4 aux sends and 4 500 series slots.
The Tree Audio Roots Gen II has all tube EQ and limiter, mic pre with line in, filter and metering. The EQ section uses a Baxandall type curve with controls over low and high bands fro quick shaping of the sound, while the limiter uses an optical design with a simple knob to control the amount. A three-way toggle switch is used to engage the limiter as well as activating the side-chain 6dB/oct 250Hz high-pass filter.
The Mic preamp provides up to 60dB of gain and is complemented with a direct output trim. A selectable high-pass offers a choice of three frequencies, 80Hz, 125Hz and 250Hz while an input transformer impedance select lets you find the best impedance to match your microphone or even provide different tonalities.
At the top can be found four aux sends with the option to set each pair as Pre or Post (or Off) These can be made to send to the 500 Series section where a 500 series mixbus compressor or other modules can be added.
The Roots II also uses a fully regulated tube linear power supply.
Tree Audio Roots Gen II Main Features:
8-channel, tube/hybrid, full-featured, recording console
All tube and transformer mic pre / line input / DI / EQ and limiter
4 – aux sends / 4 – 500 series slots / Full featured master section
Balanced inserts on all channels and stereo buss
Fully regulated tube linear power supply
Hand-built in the USA.
All tube and transformer input module mic pre / line input / DI
2 - 500 slots above each input module (total 20 modules for 8 channel)
Stereo buss 4 group / busses / 4 aux sends / meter on each channel
8 channel monitor section with 4 aux sends (16 channels on mixdown)
Full featured master section
Fully regulated tube hi voltage linear power supplies
Presenting a brand new benchmark The WUNDERBAR An analog console forged from inspiration, innovation and the bold desire to build the most impressive recording desk in the world. The result is a console so accomplished, it features The Wunderbahn, the worlds first desk to come standard with three vintage stereo bus flavors, and employs a fully symmetrically balanced discrete summing bus system. This unprecedented blend of performance, technology and perfectly crafted build quality is simply the next standard in the pursuit of the perfect recording. Infuse sophistication with extreme audio performance. Hand built by Wunder Audio's master technicians. The three stereo bus flavors are rich with thick discrete audio and transformer thickness, yielding three totally awesome soundstages that can be combined or heard separately. The Wunderbar: Every detail refined viscerally. Design your unique Wunderbar console. Customize your configuration to reflect your engineering style. Choose from a variety of console sizes and master section positions, moving fader automation, internal Patchbay and Apple 23' Cinema HD Display. Here, Wunder Audio continues to cherish the proud tradition of handcrafted excellence, passed down over generations. Over a dozen specialists ply their trade in creating the Wunderbar; cable builders alongside machinist, electronic engineers alongside cabinetmakers. All are world-class craftspeople whose purpose is the realization of the personal vision of the individual Wunder Audio customer. The Console utilizes the PEQ2 Channel Amplifier delivering from 12 to 60 channels. A 'Fully Balanced Bussing Scheme' is the heart of the Wunderbar, buffering the ground out of the equation. This results in significant increase in dynamic range while lowering noise substantially. There are transformer balanced direct outputs and inserts on all channels. The Stereo Buss champions The Wunderbahn and has three Stereo Amplifier choices: Wunder, 1272, and the 312. The Routing Modules The 1046 Routing modules are fully transformer balanced Class-A Discrete. Each channel has a monitor fader that is flip-able with the main channel fader. Also featured are six busses with illuminated switches, four auxes that are switchable pre or post, Pan Defeat, 48V phantom, and 'Opto Silent' mute. If the console is short loaded, the Routing modules will act as a transformer-balanced inputs. The Master Section The Master Section includes a Control Room Monitor for monitoring six stereo sources, including busses. Mono, Dim, Mute, and Solo Clear are on large illuminated switches. Select from 3 sets of speakers or a headphone amp with separate volume control. The internal routing of sub groups to the stereo buss eliminates external patching, sparing monitor faders. The Eight-fader monitor section includes solo, pan, and placement into any of the busses. Talkback into any buss/aux is either latching, momentary, or remote. The master section has a large Illuminated master PFL, AFL Solo switch with Solo level. Other features include: P&G 100mm Conductive Plastic Faders, thick hardwood end-cheeks in an unlimited choice of hardwoods, and full leather armrest.Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
Presenting a brand new benchmark The WUNDERBAR An analog console forged from inspiration, innovation and the bold desire to build the most impressive recording desk in the world. The result is a console so accomplished, it features The Wunderbahn, the worlds first desk to come standard with three vintage stereo bus flavors, and employs a fully symmetrically balanced discrete summing bus system. This unprecedented blend of performance, technology and perfectly crafted build quality is simply the next standard in the pursuit of the perfect recording. Infuse sophistication with extreme audio performance. Hand built by Wunder Audio's master technicians. The three stereo bus flavors are rich with thick discrete audio and transformer thickness, yielding three totally awesome soundstages that can be combined or heard separately. The Wunderbar: Every detail refined viscerally. Design your unique Wunderbar console. Customize your configuration to reflect your engineering style. Choose from a variety of console sizes and master section positions, moving fader automation, internal Patchbay and Apple 23' Cinema HD Display. Here, Wunder Audio continues to cherish the proud tradition of handcrafted excellence, passed down over generations. Over a dozen specialists ply their trade in creating the Wunderbar; cable builders alongside machinist, electronic engineers alongside cabinetmakers. All are world-class craftspeople whose purpose is the realization of the personal vision of the individual Wunder Audio customer. The Console utilizes the PEQ2 Channel Amplifier delivering from 12 to 60 channels. A 'Fully Balanced Bussing Scheme' is the heart of the Wunderbar, buffering the ground out of the equation. This results in significant increase in dynamic range while lowering noise substantially. There are transformer balanced direct outputs and inserts on all channels. The Stereo Buss champions The Wunderbahn and has three Stereo Amplifier choices: Wunder, 1272, and the 312. The Routing Modules The 1046 Routing modules are fully transformer balanced Class-A Discrete. Each channel has a monitor fader that is flip-able with the main channel fader. Also featured are six busses with illuminated switches, four auxes that are switchable pre or post, Pan Defeat, 48V phantom, and 'Opto Silent' mute. If the console is short loaded, the Routing modules will act as a transformer-balanced inputs. The Master Section The Master Section includes a Control Room Monitor for monitoring six stereo sources, including busses. Mono, Dim, Mute, and Solo Clear are on large illuminated switches. Select from 3 sets of speakers or a headphone amp with separate volume control. The internal routing of sub groups to the stereo buss eliminates external patching, sparing monitor faders. The Eight-fader monitor section includes solo, pan, and placement into any of the busses. Talkback into any buss/aux is either latching, momentary, or remote. The master section has a large Illuminated master PFL, AFL Solo switch with Solo level. Other features include: P&G 100mm Conductive Plastic Faders, thick hardwood end-cheeks in an unlimited choice of hardwoods, and full leather armrest.Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.